Guest
post by author Carla Caruso
Just like hemlines, stories appear to be
getting shorter this season. Everyone’s dabbling in them!
My beloved Sophie Kinsella wrote Shopaholic on Honeymoon as a free ebook
short story for fans at Christmastime — a prequel to Shopaholic to the Stars. Janet Evanovich has penned four holiday
novellas for her Stephanie Plum series, dubbed ‘between-the-numbers’ reads. An
Aussie writer friend of mine, Leesa Bow, also recently wrote a YA prequel,
entitled Jardine, as a ‘teaser’ to
her upcoming New Adult romance.
And the rise of mini-skirt-short stories
makes sense. People are super-busy these days, thanks to being ‘available’
online 24/7. (According to Fictionfactor.com, by the by, short stories are 1000
to 7500 words, novelettes are 7500 to 20,000 words, and novellas are 20,000 to
50,000 words.)
These tinier tales can be enjoyed on the
commute to work, while waiting at the doctor’s office, or before nodding off to
sleep. The happy endings can be arrived at quickly when you need a smile on
your dial — and fast.
For a writer, the shorter form can be a
time to ‘play’, experiment a little, in between longer projects. They can also
allow authors to send out a taste-test of their work to the world, often for
free and self-published, in the hopes of attracting new readers. Littler tales,
for big-name authors, can keep loyal fans satiated in between heftier tomes, as
well. But are readers embracing the shorter form as much as writers?
It seems not all are sold. I wrote the
festive novella, Secret Santo, for
Penguin’s Destiny Romance imprint last Christmastime. (Actually it’s more of a
novelette I’ve since realised at 13,000 words!) Some comments from reviewers
included: “This is a great book, my only complaint is that I wish it was
longer!” and “This is a nice read but I wanted more” and “It’s a sweet story
but I still find that for me [short stories] don’t really fit.”
When Googling ‘novellas’, I came across a
post on the Smart Bitches, Trashy Books site, entitled Novella or Prequel?, which echoed this sentiment.
Blogger Sarah lamented about a Victoria
Dahl story in an anthology, called The
Guy Next Door, which wasn’t what she expected. “I am so p***ed... It’s not a novella. It’s a prequel. It’s a tease. It
was SO NOT WHAT I WANTED that when I got to the next page expecting more story
and got the copyright information, I made a really strange noise, somewhere
between a curse and a growl. Novellas are not prequels. Prequels are not
novellas, and should not be sold as such… It really was like the opening
chapters of a novel, and you know that rage of the thwarted romance reader
denied her happy ending? Yeah. I got that rage RIGHT HERE. DAMMIT.”
Maybe that’s the thing. Readers –
especially of the romance variety – like to know what they’re getting before
they wade in. To go back to my much-loved Sophie Kinsella… some reviewers have
vented their annoyance that her latest book, Shopaholic to the Stars, reads more like a ‘Part 1’, though they
didn’t feel informed of this earlier. Blogger Sarah might describe this as
“meanly teasing”.
One form of ‘protection’ at least for
readers, with novelettes and novellas, is you can check out the page count first
to work out whether it’ll be meaty enough for your tastes.
The other alternative is to look at shorter
stories like snacks, intended only to keep you satisfied in between the
three-course meals. Then they might really help curb the hunger pangs. Happy
reading!
Carla
Caruso is behind the ‘Astonvale’ rom-com mystery series, involving a neat-freak
professional organiser who gets caught up in messy mysteries with a hunky
builder. Titles include A Pretty Mess,
Pretty Shore, and (out Feb) Pretty
Famous. Her shorter works include Secret
Santo, Unlucky for Some, and A Groom by New Year’s. Visit
www.carlacaruso.com.au, ‘Carla Caruso Author’ on Facebook, or @CarlaCaruso79 on
Twitter.
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